Far beyond the iconic turn of phrase borrowed from Shakespearian prose and the wit of Kurt Vonnegut, Tomorrow and Tomorrow and Tomorrow is a Boston based ensemble that exists well outside the confines of written space. At face value, the combined timbres of sax, bass, drums, electric guitar and a sultry female vocalist elude to an ensemble that in any other context would exist as a loose jazz collective. Yet, razor sharp lyricism, unquestionable pop sensibility and a rhythm section unafraid of playing in front of the band leaves the listener with a mixed impression; is this jazz, pop, funk, soul or breakbeat? And more importantly, do I really give a shit about labeling something so uniquely satisfying?
Authors Note: If you answered yes to the second hypothetical, you should probably find some other kick-ass independent podcast to occupy your time.